| 20世纪上半叶中国少数民族艺术研究的分期问题 |
| |
| 引用本文： | 毛艳. 20世纪上半叶中国少数民族艺术研究的分期问题[J]. 思想战线, 2006, 32(5): 6-12 |
| |
| 作者姓名： | 毛艳 |
| |
| 作者单位： | 云南大学,职业与继续教育学院,云南,昆明,650091 |
| |
| 摘 要： | 在20世纪上半叶,学界对中国少数民族艺术的研究可以划分为3个时期:1900至1919年为萌芽时期,中国少数民族艺术研究的视野开始展开;1920至1937年为奠基时期,中国少数民族艺术研究的理论方法基本确立;1938至1949年为发展时期,中国少数民族艺术研究的规范化得到进一步推进。
|
| 关 键 词： | 20世纪上半叶 中国少数民族艺术 分期 |
| 文章编号： | 1001-778X(2006)05-0006-07 |
| 修稿时间： | 2006-01-02 |
On the Period Division concerning the Study of the Chinese Minority Arts in the First Half of the 20th Century |
| |
| MAO Yan. On the Period Division concerning the Study of the Chinese Minority Arts in the First Half of the 20th Century[J]. The Ideological Front(Yunnan University's Journal of Social Sciences), 2006, 32(5): 6-12 |
| |
| Authors: | MAO Yan |
| |
| Abstract: | The scholars concerned have divided the first half of the 20th century into three periods in terms of the study of the Chinese minority arts: 1.the initial stage from 1900 to 1919 when its academic study emerged;2.the foundation-laying period from 1920 to 1937 when the basic theory was established;3.the development period from 1938 to 1949 when the study became more standardized. |
| |
| Keywords: | the first half of the 20th century Chinese minority arts period division |
| 本文献已被 CNKI 万方数据 等数据库收录！ |
