| 超越的反思与心灵的诉求：《废置的舞台》的叙事格调 |
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| 引用本文： | 王丽欣. 超越的反思与心灵的诉求：《废置的舞台》的叙事格调[J]. 西伯利亚研究, 2010, 0(6): 55-59 |
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| 作者姓名： | 王丽欣 |
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| 作者单位： | 哈尔滨师范大学,斯拉夫语学院,哈尔滨150025 |
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| 摘 要： | 长篇小说《废置的舞台》于1994年获得俄语布克奖,该书是俄罗斯著名诗人布拉特·奥库贾瓦对20世纪二三十年代之后的苏联社会历史所进行的自传性的书写。小说中运用了假定性与真实性相结合、叙事聚焦的转换和空间对比中的陌生化等叙事手法,表现出作家对苏联时期乌托邦的解构、对苏联历史的独特反思以及对超越一切时尚潮流的自由与心灵价值的终极追求的叙事格调。
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| 关 键 词： | 废置的舞台 希拉特·奥库贾瓦 俄罗斯 |
A Transcedent Reflection and a Soul Petition:Descriptive Style of Abandoned Stage |
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| WANG Li-xin. A Transcedent Reflection and a Soul Petition:Descriptive Style of Abandoned Stage[J]. Siberian Studies, 2010, 0(6): 55-59 |
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| Authors: | WANG Li-xin |
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| Affiliation: | WANG Li-xin(Slavic Language School,Harbin Teachers University,Harbin 150025,China) |
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| Abstract: | The Abandoned Stage by the famous Russian poet Bulat Okudzhava was awarded the Booker Prize of the Russian language in 1994.The novel is an autobiographic historical description of the social life of the Soviet Union in the 1920s and 1930s.Through the study of the narrative ways used in the novel,such as the combination of hypothesis and reality,the infiltration of the romantic style into the tragic plots and the defamiliarization of the historical space,the author＇s ultimate aim of freedom and mental value which are beyond all fashions and trends will be disclosed to us. |
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| Keywords: | historical writing hypothesis historical space defamiliarization |
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