| 论杨德昌的诚意电影及其美学特征 |
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| 引用本文： | 孙慰川. 论杨德昌的诚意电影及其美学特征[J]. 金陵法律评论, 2004, 0(3): 140-144 |
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| 作者姓名： | 孙慰川 |
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| 作者单位： | 南京师范大学文学院，江苏南京210097 |
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| 摘 要： | 杨德昌始终诚实地用胶片书写着自己对人生和社会现实入木三分的观察、敏锐的思考和无情的批判，并以深刻的思想内涵和卓越的艺术技巧，创造了华语电影的一座高峰。他有强烈的社会责任感和历史使命感。其电影不是类型片、娱乐片、商业片，而是一种诚意电影，具有独立制片的美学特征。
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| 关 键 词： | 杨德昌 台湾 诚意电影 导演 美学 |
Edward Yang''''s "Sincerity Movies" & Its Aesthetic Features |
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| SUN Wei-chuan. Edward Yang''''s "Sincerity Movies" & Its Aesthetic Features[J]. Journal of Nanjing Normal University (Social Science Edition), 2004, 0(3): 140-144 |
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| Authors: | SUN Wei-chuan |
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| Abstract: | Edward Yang always records his observation, meditation and criticism on life and society by films faithfully. His deep insights plus outstanding skill have created a climax of Chinese movies. In the spirit of independent filmmaking, Yang's creation is a kind of sincerity movies, not for entertainment or financial profit. |
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| Keywords: | Edward Yang Taiwan sincerity movies director aesthetic features |
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