| 论男权意识视野中的婚姻爱情观——《聊斋志异》之女性形象 |
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| 引用本文： | 唐丽丽. 论男权意识视野中的婚姻爱情观——《聊斋志异》之女性形象[J]. 中华女子学院山东分院学报, 2004, 0(3): 42-44 |
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| 作者姓名： | 唐丽丽 |
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| 作者单位： | 山东交通学院,山东,济南,250023 |
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| 摘 要： | 蒲松龄的<聊斋志异>为世人塑造了仪态万方的女子形象,她们较之以前的女性形象表现出了难能可贵的进步性,其自我意识空前萌动;然而,在封建社会以男性为中心的生存秩序中,这些女性依然是以男性视角为活动轴心,依然背负着封建传统礼教的精神轭套,璀璨夺目的女性光环之下依然晃动着男权意识的精神锁链.<聊斋志异>中的婚姻爱情观,体现的仍是封建礼教下的男权意识.
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| 关 键 词： | <聊斋志异> 女性形象 婚姻爱情观 男权意识 |
| 文章编号： | 1008-6838(2004)03-0042-03 |
| 修稿时间： | 2004-05-08 |
About the View of Marriage and Love in Male Chauvinism |
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| TANG Li-li. About the View of Marriage and Love in Male Chauvinism[J]. , 2004, 0(3): 42-44 |
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| Authors: | TANG Li-li |
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| Abstract: | Pu Songling creates various ladies in his "Strange Tales of a Lonely Studio".Compared to the former ones, these ladies are advanced and full of self-consciousness.However,in the male-centered feudal society,these ladies still shoulder the burden of feudalism.The view of marriage and love in "Strange Tales of a Lonely Studio" still reflects male chauvinism in the feudal society. |
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| Keywords: | Strange Tales of a Lonely Studio" ,the portrait of the lady,the view of marriage and love,male chauvinism, |
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