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论法海寺壁画的人文主义精神
引用本文:王辉.论法海寺壁画的人文主义精神[J].北京行政学院学报,2005(2):89-92.
作者姓名:王辉
作者单位:北方工业大学,艺术设计学院,北京,100041
摘    要:法海寺壁画为明代壁画之最,与敦煌、永乐宫壁画相比各有千秋,并可与欧洲文艺复兴时期的壁画相媲美。它借助宗教题材的描写,表现了民间世俗生活,对人性自由与解放的描绘有了大胆的追求与回归,将东方的人性美推崇到极至,综合地反映了东方艺术的创新精神与传统人文主义的精神超越。它成功地开拓了自己的艺术风格.成为中国传统壁画创作上的一次重大突破。

关 键 词:法海寺  壁画  人文主义
文章编号:1008-7621(2005)02-0089-04
修稿时间:2004年9月12日

On Humanism Spirit of Fresco in Fahai Temple
Wang Hui.On Humanism Spirit of Fresco in Fahai Temple[J].Journal of Beijing Administrative College,2005(2):89-92.
Authors:Wang Hui
Abstract:Different from the merits of Dunhuang' s and Yongle Temple' s, the Fahai Temple' s frescoes were the best in Ming Dynasty and may be comparable to the Renaissance frescoes. Using religious themes, these frescoes painted the folk secular life and described boldly the liberation and freedom of humanity. So far, the expression of Fahai Temple's frescoes on the beauty of eastern humanity is the best in Chinese history and it comprehensively reflects the innovative spirit of the eastern art and the transcendental spirit of the traditional humanism. In a word, the Fahai Temple' s frescoes succeeded in opening up their own artistic style and were a great breakthrough on the creation of Chinese traditional frescoes.
Keywords:Fahai Temple  fresco  humanism  
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