| 从儒、道、佛的视角论中国给画艺术 |
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| 引用本文： | 安吉乡. 从儒、道、佛的视角论中国给画艺术[J]. 长沙民政职业技术学院学报, 2003, 10(1): 94-95 |
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| 作者姓名： | 安吉乡 |
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| 作者单位： | 湖南科技职业学院 湖南长沙410004 |
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| 摘 要： | 儒、道、佛是中国传统文化的三大体系，它们中的许多精髓都被衍生成中国绘画的重要理论，对中国绘画的艺术创作、审美原则、艺术风格都产生了重要影响，构成了中国绘画艺术的根基，因此，论述中国传统文化中的绘画艺术必须从儒、道、佛的视角着手。
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| 关 键 词： | 中国 绘画艺术 传统文化 儒家 道家 佛家 艺术创作 艺术风格 |
| 文章编号： | 1671-5136(2003)01-0094-02 |
| 修稿时间： | 2002-11-08 |
On Chinese Painting from the Visual Angle of Confucianism,Taoism and Buddhism |
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| AN Ji-xiang. On Chinese Painting from the Visual Angle of Confucianism,Taoism and Buddhism[J]. Journal of Changsha Social Work College, 2003, 10(1): 94-95 |
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| Authors: | AN Ji-xiang |
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| Abstract: | Confucianism,Taoism and Buddhism are the 3 main systems in chinese traditional culture,lots of quintessence in them has become the most important theories for Chinese painting which yields great influence to the artistic creation,aesthetic principles and ar tistic styles.It has been the foundation of Chinese painting.Therefore,the exposition of art of painting in Ch inese traditional culture must give priority to the understanding of Confucianism,Taoism and Buddhi sm. |
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| Keywords: | Confucianism Taoism Buddhism Chinese p ainting |
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