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影视生成机制的本体性质分析
引用本文:许文郁. 影视生成机制的本体性质分析[J]. 北京政法职业学院学报, 2004, 0(3): 75-80
作者姓名:许文郁
作者单位:北京政法职业学院
摘    要:摄(录)像机面对物质的真实的结果,是貌似神离的另一个世界,一个完全虚幻的世界.虚幻性、仿真性、主观性、煽情性,使影视成为现实人最感亲切又最令人着迷的艺术.现实人需要虚幻,却不能沉入虚幻,因为最终我们仍要面对自己的生活.

关 键 词:影视  虚幻性  仿真性  主观性  煽情性
文章编号:1672-9285(2004)01-0075-06

Analysis of the Essence of Film Production Mechanism
Xu Wenyu. Analysis of the Essence of Film Production Mechanism[J]. bejing college of political science and law journal, 2004, 0(3): 75-80
Authors:Xu Wenyu
Abstract:The physical world becomes a completely illusive one after it is fi lmed, though they are seemingly alike. With its illusiveness, simulatedness, sub jectiveness and fascinativeness, the film has become the most familiar and the m ost fascinating art to people in the real world. People in the real world needs illusion, but can never indulge themselves in illusion, for we have to face the life in the real world after all.
Keywords:films  illusiveness  simulatedness  subjective ness  fascinativeness 
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