藏传佛教美术风格问题的反思——以西藏夏鲁寺美术为例

风格问题是美术史中的一个老话题,同样也是藏传佛教美术研究的主要话题。"藏传佛教美术风格"的理论研究架构借鉴于西方美术史学界,并无自身独特的理论系统支撑。部分西藏美术史学者提出的"夏鲁风格"欠学理性,这是目前西藏美术史研究对风格术语使用所存在的普遍性问题。以"夏鲁寺美术"为典型对藏传佛教美术的风格问题进行反思,对廓清目前藏传佛教美术史研究中的相关问题有重要意义。

Rethinking about the Aesthetical Style of Tibetan Buddhist Art:Discussion on Zhwa-lu Monastery in Tibet as an Example

As an old topic in the art history,style is also a major topic of Tibetan Buddhist art.Without any unique theoretical system,the theoretical system of Tibetan Buddhist art style is borrowed from the Western art history.The so-called Zhwa-lu style raised by some scholars is not a reasonable theoretical term,and the use of the term style is an universal question in the research of Tibetan art history.To rethink the art style of Zhwa-lu Monastery is significant for Tibetan Buddhist art history.