Ulrike Marie Meinhof's Bambule and the Censorship of Terrorism in the Arts

Ulrike Marie Meinhof's televised play Bambule was not broadcast for fear that it would elicit sympathy for the terrorist organisation she founded. This is despite there being no justification of violence for political ends. The withholding of funding and sponsorship continued into the late 1980s for works that condemned violence, but which also refused to provide positive support for the anti-terrorist measures of the state. Although understandable when a society is confronted by a crisis such as terrorism, it may hinder both the understanding of the complexities of political violence and debate over the issues it raises.