| Abstract: | In encounters with African-American expressive culture, black South Africans at the dawn of the twentieth century recognized possibilities for their own lives—educational institutions free from white intervention, professional advancement, and independent nationalist governance. African-Americans seeking to reconnect with the continent worked for South Africa’s independence from apartheid. Music was a critical component of these engagements, creating lasting connections across national boundaries. This paper situates the anti-apartheid activism of Sweet Honey in the Rock and In Process…, both African-American women’s a capella ensembles, within a larger historical trajectory. Through cross-circulations between the U.S. and South Africa, music constituted shared interpretive space linking African-American and black South African activist communities in combating systems of racial injustice in both countries. Building on scholarship on the role of performance in social movements, I explore the creation of shared community across national boundaries through the profound circulation of song. |
