| 论台湾新电影中的“底层叙述” |
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| 引用本文： | 丛坤赤. 论台湾新电影中的“底层叙述”[J]. 金陵法律评论, 2009, 0(4) |
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| 作者姓名： | 丛坤赤 |
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| 作者单位： | 山东大学文学与新闻传播学院,250013 |
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| 摘 要： | 生活在社会底层的小人物是台湾新电影最为重要的关注对象.侧重于小人物情绪感受的抒发而不强调情节的戏剧化,使新电影呈现出散文化特征,对小人物的精神困境予以关爱的人文精神和将小人物与大时代相结合的历史视野,又使台湾新电影具有了诗意情怀和史诗风格,这些便是台湾新电影"底层叙述"最为突出的特征.
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| 关 键 词： | 台湾新电影 底层叙述 散文化 人文精神 历史视野 |
The Underlying Narrative in the Taiwanese New Film |
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| CONG Kun-chi. The Underlying Narrative in the Taiwanese New Film[J]. Journal of Nanjing Normal University (Social Science Edition), 2009, 0(4) |
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| Authors: | CONG Kun-chi |
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| Abstract: | Nobodies living at the bottom of society attract the most attention of Taiwanese new films.Putting emphasis on the expression of emotions of the nobodies rather than on the dramatic plot,the Taiwanese new film is characterized by featuring a style of essay.Showing love to nobodies' spiritual predicament and unifying the nobodies with the great time they live in,the Taiwanese new film displays poetic sentiments as well as an epic style.That is the most prominent characteristic of the underlying narrative in ... |
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| Keywords: | Taiwanese new film underlying essay style humanistic spirit historical perspective |
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