| “万物有灵”、“天人合一”与“比德”文学的发生 |
| |
| 引用本文： | 曹连观. “万物有灵”、“天人合一”与“比德”文学的发生[J]. 金陵法律评论, 2005, 1(1): 107-112 |
| |
| 作者姓名： | 曹连观 |
| |
| 作者单位： | 南京师范大学公共管理学院 江苏南京210097 |
| |
| 摘 要： | 中华民族具有将自然伦理化的独特文化魅力.原始先民"万物有灵"的自然观到商周时代发展为"天人合一"的自然观,人们认为自然界有着与人的伦理道德同构相通的特性,形成了以自然之物比君子之德的"比德"文化.从文艺发生学来看,只有随着人的主体性的逐步确认,人对自然的审美机制才能逐步形成并完善;而且"比德"文学并不是道德建设直接工具性、借用性、辅助性的文艺手法,而是一种审美活动和艺术创造.
|
| 关 键 词： | 万物有灵 天人合一 比德文学 文艺伦理 |
| 文章编号： | 1001-4608(2005)01-0107-06 |
| 修稿时间： | 2004-05-20 |
Correspondence between Heaven and Human and the Emergence of Moral Literature |
| |
| CAO Lian-guan. Correspondence between Heaven and Human and the Emergence of Moral Literature[J]. Journal of Nanjing Normal University (Social Science Edition), 2005, 1(1): 107-112 |
| |
| Authors: | CAO Lian-guan |
| |
| Abstract: | Chinese developed their natural outlook of correspondence between Heaven and human in Shang and Zhou dynasties and maintained that Nature has its characteristics in common with human morality and ethics. Based on this primitive outlook, a kind of morality literature was developed, that is, livening natural things to Zunji's (decent man's) level of morality. From the perspective of literary generation, this type of literature is not an instrument for moral construction but rather an activity of aesthetic and artistic creation. |
| |
| Keywords: | myriad things have soul correspondence between Heaven and human moral literature literary ethics |
| 本文献已被 CNKI 维普 万方数据 等数据库收录！ |
