重读上海都市“新感觉”：从技术地理学到技术感性学的视角

技术的更迭不断地改造着人类社会的空间形态，也重构着在空间中生存之人的生命体验和审美感知。现代都市作为技术性空间，构成了上海新感觉派的感知环境，也是其重要的表征对象。上海都市现代性首先表现为一种传播和移植的“技术现代性”，是西方现代军事、运输和通信等技术的直接地理后果；而其在地生产，包括了都市空间的营造和城/乡空间关系的重构。新感觉派作家对现代技术事物的感觉之“新”，是在作为技术性空间的都市中,与“技术”效应之间产生的剧烈感应与共鸣。新感觉派技法的电影化，则是一种感性表征的现代技术媒介机制。从“技术地理学”到“技术感性学”的交汇视域来重读新感觉派，彰显了现代都市中“人/技术/空间”的辩证关系，在当代语境中具有普遍的参照意义。

Rereading Shanghai New Sensationalism: From the Perspectives of Technological Geography to Technological Aesthetics

The changes of technologies transform the spatial forms of human society constantly, and reconstructthe life experience and aesthetic perception of human beings. As a technical space, the modern city constitutes the perceptive environment of Shanghai New Sensationalism, and it is also an important representation object. The modernity of Shanghai is first manifested as a “technological modernity” by dissemination and transplantation, which is the direct geographical consequence of western technologies include modern military, transportation, communication and others. The local production of “technological modernity” in Shanghai includes the construction of urban space and the reconstruction of urban/rural spatial relationship. The “new sensation” on modern technological things characterized by New Sensationalist authors is the strong induction and echo to the effect of technology in the technological urban space. The cinematization of the perceptual representation by New Sensationalism is a kind of modern technological media mechanism. From the perspectives of Technological Geography to Technological Aesthetics, the rereading of Shanghai New Sensationalism highlights the dialectical relationship of “human/ technology/space” in a modern city, which has universal reference significance.