| 浅谈刑事录像构图 |
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| 引用本文： | 袁燕谊. 浅谈刑事录像构图[J]. 政法学刊, 2004, 21(6): 69-70 |
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| 作者姓名： | 袁燕谊 |
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| 作者单位： | 广东警官学院,技术系,广东,广州,510440 |
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| 摘 要： | 摄像构图是使主题思想和创作意图形象化,可视化的过程,是依靠一系列造型手段,并通过摄像机的取景框以构成画面造型上的表现形式。熟练掌握摄影构图是提高刑事录像水平的关键,因此,我们有必要来探讨一下摄像构图的特点、动态构图的表现形式以及刑事录像构图的操作技巧。
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| 关 键 词： | 刑事录像 摄像构图 动态构图 操作技巧 |
| 文章编号： | 1009-3745(2004)06-0069-02 |
| 修稿时间： | 2004-09-19 |
On the Composition of Criminal Visual Recording |
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| YUAN Yan-yi. On the Composition of Criminal Visual Recording[J]. Journal of Political Science and Law, 2004, 21(6): 69-70 |
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| Authors: | YUAN Yan-yi |
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| Affiliation: | Yuan Yan-yi Dept. of Techniques,Guangdong Police Officers College,Guangzhou 510440,China |
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| Abstract: | Composition of visual recording is a process to make the theme and purpose of creation visualized.Grasping shooting composition is a key factor to improve the level of visual recording. Therefore, it is necessary to discuss the characteristics and presentation of the composition of visual recording and the operation techniques related to the composition of criminal visual recording. |
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| Keywords: | criminal visual recording composition of visual recording dynamic composition operation techniques |
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