西藏传统戏剧与元杂剧艺术特色比较——以表演艺术比较为视角

西藏传统戏剧与元杂剧表演艺术一样源远流长。在长期发展过程中,两者都形成了各自极具特色的艺术表演形式。然而,对两者之间的比较研究,成果还较为薄弱。文章围绕"以唱为主的戏剧表达模式""以念白为重要补充的演出体制""对灵活多样做功的不懈追求""对武打场面的设置艺术"等唱念做打四个方面的基本表演形式,做了初步的探讨和比较研究。通过对两者的比较研究,探讨了两者所发展形成的相对程式化的各具特色的表演模式和技巧。论者旨在说明两者间虽具有异同性,但更具交流、通融性。

Comparison of Artistic Characteristics Between Tibetan Traditional Drama and Yuan Zaju-On the Comparison of Performing Arts

Traditional Tibetan drama and the performing art of yuan zaju have a long history.In the long course of development,both of them have formed their own distinctive forms of artistic performance.The research on the two is fruitful and fruitful.However,the comparative study of the two is still weak.Articles around"theatrical expression mode is given priority to with singing","NianBai as important supplement of the performance system","in constant pursuit of a flexible work","set up for a fight scene art"sing read do play four aspects,such as the basic form,makes a preliminary study and comparative study,through the comparative study,discusses the development form of the relative stylized performance distinctive patterns and techniques such as rule.The aim is to show that although there is a difference between the two,but more communication,accommodation.