蒙古族题材电影叙事方式与文化建构研究

蒙古族题材电影在其历史发展过程中形成四种基本的叙事范式:第一,以意识形态和政治需求为导向的国族化叙事;第二,以美丽边疆和日常生活呈现为导向的景观化叙事;第三,以民族认同和草原文化表达为向导的民族化叙事;第四,以聚焦个体和关注现实为导向的个体化叙事。文章基于叙事方式的发展与变化,厘清蒙古族题材电影的演进规律,探寻内在的动因,思考叙事方式与文化建构之间的逻辑关系,进而凸显电影文本对文化建构的理论价值和实践意义。

A Study on the Narrative Mode and Cultural Construction of Mongolian Film

In the course of its historical development, Mongolian films have formed four basic narrative patterns: first,national narrative oriented by ideology and political needs. Second, the beautiful frontier and daily life presented as the orientation of the landscape narrative. Third, national narrative guided by national identity and grassland cultural expression.Fourth, focusing on the individual and focusing on reality as the orientation of individual narrative. Based on the development and change of narrative mode, this paper clarifies the evolution rules of Mongolian films, explores the internal causes, and reflects on the logical relationship between narrative mode and cultural construction, thus highlighting the theoretical value and practical significance of film texts for cultural construction.