当代公安文学主体多样性的生成及其原因

公安文学是中国当代文学艺术的重要组成部分,发轫于二十世纪五十年代,“文革”中遭到压制,改革开放后获得复苏和发展。伴随着社会环境及文学环境的变迁,公安文学作品中的人物主体性也呈现多样性发展。五十年代公安文学作品中主体单一,多为“高大全”的人民警察形象。八十年代后,警察形象的构成走向多元与多向,时常表现为带有人性弱点的英雄形象。进入九十年代,公安文学的主体范畴进一步扩大,一方面警察形象在公安文学作品中的比重减小,另一方面,与案件相关的各色人物,包括灰色人物和犯罪嫌疑人的比重不断增加。公安文学作品中的主体多样性不仅是社会与历史交汇碰撞下的公安文学特殊性质的合理展现,同时也体现出社会现代化进程和社会文化环境的变迁力量。

On the cause of formation of the diversity of the contemporary public security literature

The public security literature is the important content of the Chinese contemporary literature,which began at the 50th years of the 20th century,was oppressed in the“culture revolutionary”and developed in the era of“the reform and opening”.With the change of the society,the characters in the public security literature have been diversity.In the 50th,the host of the public security literature is“high,strong,all-out”.In the 80th years,the characters went to diversity,which embodied the weakness of people.In the 90th years,the subject of the public se- curity has been broadened further,on one hand,the proportion of the police has been reduced,on the other hand, the characters including the gray characters and the criminal suspects have been increased.The diversity of the char- acters of the public security literature lays out the course of the society modernization and the change of the social cul- tural environment.