语言、真理与游戏——维特根斯坦与伽达默尔游戏观之比较

游戏概念古已有之,康德和席勒将物质性的游戏提升为精神性的游戏。但在西方现代美学中,维特根斯坦和伽达默尔分别创制了语言游戏和艺术游戏的概念。他们将游戏与日常语言运用和艺术真理（意义）解释结合在一起,从而使游戏焕发了新的生命和活力。同时,维特根斯坦通过语言游戏＂治疗＂了哲学和美学;伽达默尔则通过艺术游戏＂理解＂了艺术的存在方式——他们都以＂游戏＂为切入点开启了自己的哲学、美学新篇章。他们的游戏观既有相似,也有不同——这些都需要我们去细细考索和重新审视。

Language, Truth and Game——The Comparison between Wittgenstein's and Gadamer's Idea of Game

There was the idea of ＂game＂ from ancient to modern times, Kant and Schiller propped up them from physical to psychic game. However, Wittgenstein and Gadamer respectively created the notion of ＂language- game＂ and ＂art-game＂ in western modern aesthetics. They combined ＂game＂ with daily language exercise and the interpretation of artistic truth（meaning）, accordingly made ＂game＂ coruscated new life and vigor. At the same time, Wittgenstein ＂treated＂ traditional philosophy and aesthetics with language-game; Gadamer ＂understood＂ the existent manner of art with art-game. They all turned on a new canto what was himself philosophy and aesthetics with ＂game＂ as an entrance. Their ideas of game have much resemblance, as well as have a lot of dissimilarities. We need to think over and newly survey for these.