| 浅析明代"家乐"问题 |
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| 引用本文： | 程丹.浅析明代"家乐"问题[J].安徽警官职业学院学报,2007,6(1):94-96. |
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| 作者姓名： | 程丹 |
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| 作者单位： | 安徽大学,中文系,安徽,合肥,230061 |
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| 摘 要： | 明代兴起的"家乐"与前代在勾栏瓦舍中戏班的演出有所不同,一方面这种形式为传统戏剧的改良提供了硬件的支持,另一方面它也有自身不可克服的弱点.基于自身优势,家乐在明中叶后盛极一时,但同时又因为先天缺陷,在清中叶就几近销声匿迹.
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| 关 键 词： | 明代家乐 宋元勾栏瓦舍 戏剧形式比较 |
| 文章编号： | 1671-5101（2007）01-0094-03 |
| 修稿时间： | 2006-06-27 |
On the Problem of the Family Theatrical Troupe of Ming Dynasty |
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| Cheng Dan.On the Problem of the Family Theatrical Troupe of Ming Dynasty[J].Journal of Anhui Vocational College of Pollce Officers,2007,6(1):94-96. |
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| Authors: | Cheng Dan |
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| Institution: | Department of Chinese Anhui University, Hefei Anhui 230039 |
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| Abstract: | The Family Theatrical Troupe rose in Ming Dynasty is different from the performance in previous Gou Lan Wa She. On one hand, this kind of form has offered the support for the traditional drama's improvement; on the other hand, it even has its own weakness which can't be overcome. Because of its own advantage, the Family Theatrical Troupe was in fashion for a time during the middle period of Ming Dynasty; and meanwhile, because of the congenital defect, it nearly makes no public appearances in this period. |
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| Keywords: | family theatrical troupe of Ming Dynasty Gou Lan Wa She of Song and Yuan Dynasty comparison of dramatic type |
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