The semiotic limbo of the pacific

Deleuze's study of his friend Michel Toumier's first novel Vendredi has widely been seen as a pivotal point in the development of his thought; Alphonso Lingis even sees it as the final articulation of the concept of the ‘elemental sign’. Contrary to this view, this paper argues that Deleuze's postface anticipates in important ways the semiotics of Mille Plateaux, but that Deleuze's reading has been so influential as to obscure Tournier's own? which may be shown to be much more concerned with the immediate politics of the French presence in the Pacific.