Gardening and the cultivation of Australian national space: the writings of Ethel Turner

In the romantic stereotypes of the ‘Bush Myth’, Australian national identity is formed through the confrontation between the bushman and the natural environment, particularly as depicted in ‘realist’ literature. This myth has been displaced from its centrality in numerous ways. Less attention has been paid to the many other competing literary figurings of national identity at the turn of the nineteenth century, and in the early twentieth century. One of these tropes, often used by women writers, looked at the national space not as a hostile and alien environment but as a garden. By contrast, iconic fictions such as Lawson's ‘Water them Geraniums’ show gardening as a feminine pursuit antithetical to (masculine) Australian life. Australia as garden produced a different set of possibilities for the settler colonial plot. Instead of beleaguered fighters against an unyielding wilderness, fictions figuring the nation as a garden produced a potentially more fruitful and less doomed role for the protagonist, particularly the female protagonist. This plot also allowed some casting of urban space, particularly suburban space, as authentic Australian space, rather than second-hand European waste.