Writing and the flesh of others

Prologue: Feminism and Fictocriticism in Australia The article that follows makes use of a selection of psychoanalytic writings to explore what theoretical writing on intertextuality so often occludes: that is, the dynamics of the passionate dimension of intertextual practices, by which I mean the fantasies of writers (and readers) that attend the actual practices of literary borrowings, in.uences, apprenticeships, and hauntings—by other writers, by the music of words, by memories. For the author may be dead, but writing subjects are very much alive and embodied—capable of moving and being moved, of remembering and forgetting, of relationships both real and imaginary with other writers living or dead, of love and of murder.