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金圣叹的小说叙事角度论再探
引用本文:吴正岚.金圣叹的小说叙事角度论再探[J].金陵法律评论,2007(4):124-128.
作者姓名:吴正岚
作者单位:南京大学中国思想家研究中心,江苏南京210093
摘    要:以往的研究多侧重于揭示金圣叹的小说叙事角度论与西方叙事学之间的相通之处.其实,两者之间有着很大差异.金氏主张叙事视角在作者与人物之间、不同人物之间变化,以及叙事感觉在听觉和视觉之间转换,其中不存在所谓全知和限知的对立;金氏的叙事角度论追求变化、主观、含蓄等审美效果,不同于西方理论的推崇叙事客观性.

关 键 词:金圣叹  叙事角度  西方叙事学  《水浒传》
文章编号:1001-4608(2007)04-0124-05
修稿时间:2006-10-15

Review on Jin Sheng-tan's Novel Theory of Narrative Angle
WU Zheng-lan.Review on Jin Sheng-tan''''s Novel Theory of Narrative Angle[J].Journal of Nanjing Normal University (Social Science Edition),2007(4):124-128.
Authors:WU Zheng-lan
Institution:Center for the Studies of Chinese Thinkers, Nanjing University, Nanjing 210093, China
Abstract:Previous studies stress on the similarity of Jin Sheng-tan's novel theory of narrative angle to the west narrative theory.In fact,there is great difference between them.Jin advocates that narrative angle varies from the author to the character,and from one character to another.He also emphasizes that narrative sense transforms from sense of hearing to that of sight.There is no contradiction between omniscience and limited science in Jin's novel theory.Jin Sheng-tan's novel theory of narrative angle pursues the aesthetic effect of transformation,subjectivity and implication while the west narrative theory praises the narrative objectivity highly.
Keywords:Jin Sheng-tan  narrative angle  west narrative theory  All Men Are Brothers
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