晚唐诗·新月诗·朦胧诗--试论中国诗语"意"、"象"的非一致性特征

晚唐诗以“意”、“象”的不确定性带来了诗歌艺术的朦胧之美 ,开创了中国诗歌创作的另一境界。 2 0世纪初的新月诗在形式上与晚唐诗有极大不同 ,可诗的“境”、“意”的非一致性仍是主要的特征。 2 0世纪末的朦胧诗 ,更加努力加大“意”、“象”的这种距离感 ,以增加诗的多元和多层次性 ,更具有一种立体解读的要求。

The Poetry of The Late Tang Dynasty, The Poetry of The New Moon Society and The Misty Poetry--Incongruity between the"meaning" and the"image" in Chinese Poetry

The poetry of the late Tang Dynasty (828 907 A.D. in Chinese literary history) blazed a trail in the new method of poetry creation characterized by a misty beauty coming from the incongruity between the "meaning" and the "image". In early 20th century, the poetry of the New Moon Society, though different from the poetry of the late Tang Dynasty in form, enjoyed the typical feature of the incongruity between the "context" and the "meaning". By the end of the 20th century, the misty poetry further emphasized the distance between the "meaning" and the "image", which broadened the meaning of poetry and thus demanded a multi dimensional interpretation.