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简论民族审美文化交流融合的一般性原理
引用本文:段炳昌. 简论民族审美文化交流融合的一般性原理[J]. 思想战线, 2002, 28(1): 54-56
作者姓名:段炳昌
作者单位:云南大学人文学院,云南,昆明,650091
摘    要:民族审美文化的交流融合既遵循着文化交流的一般规律 ,又由于审美文化的特殊规定性而表现出不同于其他文化形式交流的特点。民族文化的交流融合实际上是自我与对象、本族文化与他族文化间互为条件、相互克服、相互补充的运动过程。在这个过程中 ,审美文化有着特别强劲的延伸力量 ,可以超越民族、语言、文字、宗教、地区、时间的限制而传播 ;通过选择、强制与自觉、变形、渐变渐融、业力不灭等形式实现交流融合。这是审美文化的特殊性 ,又是民族审美文化交汇中的普遍性特征。

关 键 词:民族审美文化  交流融合  形式
文章编号:1001-778X(2002)01-0054-03
修稿时间:2001-11-01

On the General Principles of the Communication and Combination of the Ethnic Aesthetic Cultures
DUAN Bing-chang. On the General Principles of the Communication and Combination of the Ethnic Aesthetic Cultures[J]. The Ideological Front(Yunnan University's Journal of Social Sciences), 2002, 28(1): 54-56
Authors:DUAN Bing-chang
Abstract:The communication of the ethnic aesthetic cultures follow the general principles of cultural communication, and at the same time it is different from cultural communication because of its peculiarities. The communication of the ethnic cultures is a process in which one culture and another become condition for each other, overcome each other, and complement each other. In the process, aesthetic culture owns a particularly strong extending power, and it can spread beyond the limits of nationalities, languages, religions, districts, and time. Communication and combination are realized by ways such as choosing, compelling, transforming, etc. This is both the peculiarities of the aesthetic cultures and the universalities of the combination and communication of the ethnic aesthetic cultures.
Keywords:ethnic aesthetic cultures  communication and combination  ways  
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