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唐代服饰美学
引用本文:吴功正.唐代服饰美学[J].思想战线,2001,27(5):78-80.
作者姓名:吴功正
作者单位:江苏社会科学院,江苏,南京,210013
摘    要:唐代服饰美学体现了社会风气与服饰变化的互动互摄现象.在唐代服饰美学中有着很深的社会思潮痕印.唐代服饰富于多彩多姿的美感特征,造型别致,甚至有男性化倾向.唐代服饰受到中西文化交流的影响,然而,由于唐代审美思潮变化更迭的特点,所谓"胡服"在盛唐以后就不再盛行了.

关 键 词:服饰演变  思潮性质  美感特征  中外文化交流
文章编号:1001-778X(2001)05-0078-03
修稿时间:2001年2月15日

Aesthetics in the Tang Dynasty Costumes
WU Gong-zheng.Aesthetics in the Tang Dynasty Costumes[J].The Ideological Front(Yunnan University's Journal of Social Sciences),2001,27(5):78-80.
Authors:WU Gong-zheng
Abstract:The aesthetics in the Tang Dynasty costumes shows the interactivity between the social customs and the change of the costumes. The aesthetics in the Tang Dynasty costumes shows a deep vestige of the trends of thought at that time. The Tang Dynasty costumes are rich in colours and styles, and delicate in designs. The Tang costumes were influenced by the exchanges of the Chinese and foreign cultures. However, due to the change of the aesthetic trends of thought, the so-called "Hu costumes" were no longer popular when the Tang Dynasty began to decline from it heyday.
Keywords:evolution of the costumes  qualities of the trends of thought  aesthetic characteristics  exchanges of the Chinese and foreign cultures  
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