| 论《小仓百人一首》的咏月歌 |
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| 引用本文： | 邓晖,李寅生. 论《小仓百人一首》的咏月歌[J]. 日本问题研究, 2009, 23(1): 56-59 |
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| 作者姓名： | 邓晖 李寅生 |
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| 作者单位： | 广西大学,广西,南宁,530004 |
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| 摘 要： | 在概述日本和歌审美发展历程的基础上，以《小仓百人一首》中的咏月歌为研究对象，运用“物哀”“幽玄”“余情”等传统的和歌美学理念进行赏析，将其中的美的元素一一呈现，通过欣赏诗人笔下丰富多彩的“月”的姿态略窥日本传统的和歌之美。
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| 关 键 词： | 日本 和歌之美 咏月歌 《小仓百人一首》 |
On the Praise to the Moon of the Ogura Anthology of One Hundred Tanka-poems by One Hundred Poets |
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| DENG Hui,LI Yin-sheng. On the Praise to the Moon of the Ogura Anthology of One Hundred Tanka-poems by One Hundred Poets[J]. Japan Problem Studies, 2009, 23(1): 56-59 |
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| Authors: | DENG Hui LI Yin-sheng |
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| Affiliation: | (Guangxi University, Nanning 530004, China) |
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| Abstract: | Based on the summary of development history of waka with the praise to the moon of the Ogura Anthology of One Hundred Tanka-poems by One Hundred Poets, and the appreciation is given on the traditional aesthetic concept ofwaka such as ＂the thing is sad＂＂ mysterious profundity the vague feeling＂, etc. The thesis is to present the beauty and to figure out the beauty of the Japanese traditional waka by appreciating the various gesture of＂the moon＂. |
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| Keywords: | Japan the beauty of waka Praise to the Moon the Ogura Anthology of One Hundred Tanka-poems byOne Hundred Poets |
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