Tracing the voice: Pandita Ramabai's life through her landmark texts

‘The silence of a thousand years is broken’ exulted Rachel Bodley's introduction to Pandita Ramabai's feminist manifesto The High‐caste Hindu Woman, which was published in 1887 and sold 9,000 copies internationally within a year.1 Rachel L. Bodley, ‘Introduction’ in Pandita Ramabai, The High‐caste Hindu Woman (Maharahstra State Board of Literature and Culture) Bombay, 1887, reprinted 1977, pp. i–xix (reference p. i). The 1888 reprint of the book in the United States mentions that it is the ‘tenth thousand’. View all notes Its author was instantly made into an icon in Western countries from the United States to Australia, to linger on in their collective memories, even as she was relegated to ‘silence’ in the social histories and discourses of India. This conundrum, pivotal to an understanding of her life and, I submit, rooted in her feminism, is still to be addressed. The numerous and informative biographies of Ramabai (23 April 1858–5 April 1922) have been located within two distinct paradigms: one projects her life, sometimes almost hagiographically, as a triumphant expression of the Christian impulse;2 Ramabai's Christian biographies in English include S.M. Adhav, Pandita Ramabai (The Christian Literature Society) Madras, 1979; Bodley, ‘Introduction’; Rajas K. Dongre and Josephine F. Patterson, Pandita Ramabai: a Life of Faith and Prayer (The Christian Literature Society) Madras, 1963; Nicol McNicol, Pandita Ramabai (Association Press) Calcutta, 1926; and Padmini Sengupta, Pandita Ramabai Saraswati: Her Life and Work (Asia Publishing House) Bombay, 1970. Her best‐known Marathi Christian biography is Devadatta Tilak, Maharashtrachi Tejaswini Pandita Ramabai (Nagarik Prakashan) Nashik, 1960. View all notes and the other valorises her advocacy of women's education while sidestepping the issue of religion.3 Ramabai's Hindu (or non‐Christian) biographies include Tarabai Sathe, Aparajita Rama (D.P. Nagarkar) Pune, 1975, and K.S. Thackeray, Pandita Ramabai (V.R. Baum) Mumbai, 1905 (both in Marathi); and A.B. Shah, ‘Introduction’ in A.B. Shah (ed.), The Letters and Correspondence of Pandita Ramabai (Maharashtra State Board of Literature and Culture) Bombay, 1977, pp. xi–xxxvi (in English). View all notes Both elide her feminism. Recent feminist scholarship on Ramabai has impressively interwoven multiple disciplinary and ideological strands, but tended to focus either on her passage to Christianity,4 Susan Glover, ‘Of Water and of the Holy Spirit’, unpublished PhD thesis, University of Sydney, 1995; Gauri Viswanathan, ‘Silencing Heresy’ in Outside the Fold: Conversion, Modernity and Belief (Oxford University Press) Delhi, 1998, pp. 118–52. View all notes or her reverse gaze at the West during international travels.5 Antoinette Burton, ‘Restless Desire’ in A. Burton, At the Heart of the Empire: Indians and the Colonial Encounter in Late‐Victorian Britain (University of California Press) Berkeley, 1998, pp. 72–109; Inderpal Grewal, ‘Pandita Ramabai and Parvati Athavale’ in I. Grewal, Home and Harem: Nation, Gender, Empire, and the Cultures of Travel (Duke University Press) Durham, NC and London, 1996, pp. 179–229. Kumari Jayawardena, ‘Going for the Jugular of Hindu Patriarchy’ in Vicki L. Ruiz and Ellen Carol DuBois (eds), Unequal Sisters, 3rd edition (Routledge) New York and London, offers a variation on Ramabai's interaction with American women, in terms of American aid to her educational project in India and its inherent tensions. View all notes The parameters of her life and of her feminism have rarely been clearly outlined.6 I have tried to do this in Meera Kosambi, ‘Introduction’ in M. Kosambi (ed.), Pandita Ramabai through Her Own Words: Selected Works (Oxford University Press) Delhi, 2000, pp. 1–32; and Meera Kosambi, ‘Returning the American Gaze: Situating Pandita Ramabai’s American Encounter' in M. Kosambi (ed.), Pandita Ramabai's American Encounter: ‘The Peoples of the United States’, 1889, M. Kosambi (trans.) (Indiana University Press) Bloomington, 2003, pp. 1–46. View all notes In this article I propose to analyse her feminism by tracing her multiple ideological trajectories mainly through a discussion of some of her landmark writings, and then indicate the problematic of her representation of the highly troped ‘oppressed Indian woman’.