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| 早期文明与美感类型 | |
| 引用本文： | 张法.早期文明与美感类型[J].浙江省政法管理干部学院学报,2021,35(2):5-14. |
| 作者姓名： | 张法 |
| 作者单位： | 1. 四川大学 文学与新闻学院 2. 北京大学 美学与美育中心 |
| 基金项目： | 国家社会科学基金后期资助项目 |
| 摘 要： | 在各类早期文明中，美感的总特征是以实体之神为主和以神庙为主的美感体系，具体来讲，又可分为以埃及为代表的人兽一体之神为主，以两河为代表的人兽相伴为主，以及从克里特到希腊的人形为主、中国的以天地四方为结构进行安排的人体和物饰一体，印度的把历史演进整合为神的多面形象的美感体系。 |
| 关 键 词： | 早期文明的美感类型 以实体之神为主 埃及-两河-印度-中国各型 |
| 收稿时间： | 2020-11-15 |
Early Civilization and Its Aesthetic Patterns |
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| ZHANG Fa.Early Civilization and Its Aesthetic Patterns[J].Journal of Zhejiang Gongshang University,2021,35(2):5-14. | |
| Authors: | ZHANG Fa |
| Institution: | 1.College of Literature and Journalism,Sichuan University 2.Center of Aesthetics and Aesthetic Education,Peking University |
| Abstract: | In early civilizations, the general characteristics of aesthetic sense are the aesthetic system based on the God with a substantial body and the temple. Specifically, it can be divided into five parts: the God of man and beast as a whole in Egypt as the representative; the human andanimal companionship in Mesopotamia as the representative; the human form from Crete to Greece; China's human body and objects as a whole arranged in the structure of heaven and earth; and India's historical evolution integrated into the aesthetic system of God's multi-faceted image. |
| Keywords: | the aesthetic patterns in early civilization the god with a substantial body pattems of Egypt Mesopotamia India Chian |
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