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相声艺术的群落认同及文化想象
引用本文:耿波. 相声艺术的群落认同及文化想象[J]. 江苏行政学院学报, 2010, 0(1): 42-48
作者姓名:耿波
作者单位:中国传媒大学,文学院,北京,100024
摘    要:传统相声艺术作为民间文化中笑的艺术,其快乐的本质是一种伦理幸福,也是中国传统文化对相声进行渗透、提升的结果。面对新生意识形态的文化认同构成解放后"舞台"新相声的基本艺术冲动,"家-国想象"是舞台时代相声艺术实现成功认同的核心机制。进入上世纪90年代,相声在"回归剧场"中开始重建多元认同。当前,电视情景喜剧不仅实现了相声在消费时代的"日常认同再生产",更重要的是为相声艺术的产业发展提供了驱动性的媒介经济新框架。

关 键 词:相声艺术  群落认同  文化想象

Group Identification of the Art of Cross Talks and Cultural Imagination
GEN Bo. Group Identification of the Art of Cross Talks and Cultural Imagination[J]. The Journal of Jiangsu Administration Institute, 2010, 0(1): 42-48
Authors:GEN Bo
Affiliation:Literary School/a>;Communication University of China/a>;Beijing 100024/a>;China
Abstract:As a comic art in folk culture,the essence of traditional art of cross talks is a kind of ethical happiness.It resulted from traditional Chinese culture's penetration and promotion of cross talks.During the time when cultural identification as a new ideological form constituted essential art impetus for new cross talks on the stage,it is the key mechanism of home-nation imagination that the art of cross talks at the age of stage achieved its successful identification.In the 1990s,it began to reestablish mul...
Keywords:Art of Cross Talks  Group Identification  Cultural Imagination  
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