| 论绘画作品中光色的表现 |
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| 引用本文： | 李宁波. 论绘画作品中光色的表现[J]. 长沙民政职业技术学院学报, 2006, 13(1): 114-115 |
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| 作者姓名： | 李宁波 |
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| 作者单位： | 湖南耒阳师范学校,湖南,耒阳,421800 |
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| 摘 要： | 科学告诉我们,光赋予万物以色彩。艺术家对光色有目的的表现是在文艺复兴以后。到了十九世纪末,印象派画家们对光色的研究达到了前所未有的高度。无疑这对艺术进一步发展,推陈出新是一笔宝贵的财富,值得我们借鉴。
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| 关 键 词： | 文艺复兴 印象派 光色 外光 |
| 文章编号： | 1671-5136（2006）01-0114-02 |
| 收稿时间： | 2006-01-10 |
| 修稿时间： | 2006-01-10 |
Discussion on displaying light in paintings |
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| Li Ning-bo. Discussion on displaying light in paintings[J]. Journal of Changsha Social Work College, 2006, 13(1): 114-115 |
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| Authors: | Li Ning-bo |
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| Affiliation: | LeiyangNormal School, Leiyang, Hunan |
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| Abstract: | Scientifically speaking,colors come from light.After the Renaissance artists have begun displaying light in their works.Until the end of 19th century,impressionist had made a lot of researches on light and colors and achieved to the peak.Undoubtedly this provided wealth to the development of art. |
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| Keywords: | the Renaissance impressionist light and color external light |
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