| 有意味的形式--新潮作家的语言实验 |
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| 引用本文： | 唐骅.有意味的形式--新潮作家的语言实验[J].外交评论,2003(2):90-95. |
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| 作者姓名： | 唐骅 |
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| 作者单位： | 外交学院,北京,100037 |
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| 摘 要： | 文学语言具有鲜明的时代特征和个性特征。自 80年代后 ,当代作家通过汉语形式美的研究 ,凸现出文学作品的审美个性 ,从而表达出独特的情感体验 ;作家通过对语言形式的探索 ,强化了它的指称功能 ,从而在更深的层面上使文学语言成为一种有意味的形式。
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| 关 键 词： | 文学语言 有意味的形式 |
| 文章编号： | 1003-3386(2003)02-0090-06 |
| 修稿时间： | 2003年3月10日 |
Significant Forms--Experimenting with Literary Language by the Trendy Writers |
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| TANG Hua.Significant Forms--Experimenting with Literary Language by the Trendy Writers[J].Foreign Affairs Review,2003(2):90-95. |
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| Authors: | TANG Hua |
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| Abstract: | Literary language is marked by features of a given era and idiosyncrasies of a writer. Ever since the 1980s, contemporary writers have, by exploring the formal beauty of the Chinese language, displayed their individual esthetic qualities in their writings, thus expressing their unique emotional experiences. By experimenting with the forms of the language, they have succeeded in turning literary language into significant forms. |
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| Keywords: | Literature Language Significant Form |
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