森槐南词的苏辛气派简

曾长期居于世界前列的中国文学，为人类的进步奉献了自己的珍藏，对亚洲特别是对东北亚产生过尤为深钜的影响。这种影响，接受国日本的学者比之为“阳光”。日本填词之学，就是直接吸取这“阳光”而诞生的新兴文学样式。明治时期是日本词学的黄金时期。森槐南是这一时期“首屈一指”的词人。他突破传统观点的束缚，卓然特立地追摹苏轼、辛弃疾而进行新人耳目的创作：拓展题材，以词悯农；冲决体式，以词代柬；新变手法，以词畅怀。同时，他还在理论上崇尚苏轼、辛弃疾：独表心志以接武东坡；比拟苏辛如天孙织锦；标举作品为推称范例。这些别开生面之举，不仅在日本填词史上具有重大功绩，而且在中日文学关系史上也是值得重视的一页。可惜至今对其研究者为数寥寥。

On the Imposing Style of Su and Xin Embodied in the Ci of Kainan Mori

Chinese literature, which has been long in the forefront of world literacy and contributed its treasure for the ad- vance of human history, had significant influence in Asia, particularly in Northeast Asia. This kind of influence was described as ＂sunshine＂, by the scholars in Japan, while accepting it. The making of Ci is the direct result of absorbing this ＂sun- shine＂, as a complete new form of literature. The Meiji era was the golden age of Japanese Ci. Kainan Mori was one of the top Ci poets in the period. He was able to shrug off the limitation of traditional aspects, uniquely pursuing the spirit of that of Su Shi and Xin Qiji, establishing brand-new creations. He discovered new source of topics, using Ci to show his sympathy for farmers, expressing his ambition to be close to Su Dongpuo, and considering Su and Xin＇s work as those as wonderful as heav- enly given. He always recommended their works as the models for people to follow. These rare movements not only made huge contribution to the Japanese Ci history, but also were an important phase in the literature history both in China and Japan. It is regrettable that there has not been much study in this area.