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超越本质主义回归生活之流--维特根斯坦后期思想对现代美学的意义
引用本文:梁海钢. 超越本质主义回归生活之流--维特根斯坦后期思想对现代美学的意义[J]. 思想战线, 2002, 28(5): 111-113
作者姓名:梁海钢
作者单位:复旦大学中文系,上海,200433
摘    要:后期维特根斯坦借助语言分析 ,打破了传统美学本质主义的思维方式。他以审美活动为美学研究的起点 ,使其回归于生生不息的生活之流 ,从而揭示了其特性所在 ,并在此基础上讨论了困扰传统美学的审美魅力、审美普遍性问题 ,为美学研究提供了新的思路。

关 键 词:生活形式  审美规则  表情的等同
文章编号:1001-778X(2002)03-0111-03
修稿时间:2002-02-20

Transgressing Essentialism and Back to the Stream of Life:Significance of Old Wittgenstein''s Ideas to Modern Aesthetics
LIANG Hai gang. Transgressing Essentialism and Back to the Stream of Life:Significance of Old Wittgenstein''s Ideas to Modern Aesthetics[J]. The Ideological Front(Yunnan University's Journal of Social Sciences), 2002, 28(5): 111-113
Authors:LIANG Hai gang
Abstract:In the latter half of his life, Wittgenstein made breakthroughs in the essentialist way of thinking of traditional aesthetics by using approaches of linguistic analysis. Making aesthetic activities of man a point of departure in his studies, he brought aesthetics back to the stream of life and revealed its nature. On this basis, he explored such issues as fascination of the beautiful and universality of beauty, issues that perplexed many a traditional aesthetician, and supplied new approaches to aesthetical studies.
Keywords:mode of life  aesthetic principles  identity of expression  
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