| 形式本体论:新时期文艺的价值取向 |
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| 引用本文： | 张婷婷.形式本体论:新时期文艺的价值取向[J].思想战线,2001,27(2):75-81. |
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| 作者姓名： | 张婷婷 |
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| 作者单位： | 解放军艺术学院训练部,北京,100081 |
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| 摘 要： | 形式本体论是新时期中国文艺从实践到理论都曾积极追求过的价值取向之一.这一文艺思潮首先表现在作家的创作实践层面,然后是文学批评家们的形式批评,最后上升为文艺理论家们的文艺形式本体理论的建构,这一思潮自有其产生的合理原因,也有其不足.
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| 关 键 词： | 新时期文艺 形式创新 形式批评 形式本体论 |
| 文章编号： | 1001-778X(2001)02-0075-07 |
| 修稿时间： | 2000年5月20日 |
Formal Ontology:the Value Orientation of Literature and Art in the New Era |
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| ZHANG Ting-ting.Formal Ontology:the Value Orientation of Literature and Art in the New Era[J].The Ideological Front(Yunnan University's Journal of Social Sciences),2001,27(2):75-81. |
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| Authors: | ZHANG Ting-ting |
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| Abstract: | Formal ontology was one of the value orientations pursued practically and theoretically in the literature and art field of the Mainland China in the new era. This trend was first reflected in the creation of art, and then in the formalist criticism, and finally in the construction of the formal ontology of art. Its emergence, though reasonable, was invested with deficiency. |
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| Keywords: | literature and art of the new era formal creation formal criticism formal ontology |
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