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艺术作品概念的开放性与同一性--对后现代艺术作品解答的一种尝试
引用本文:彭修银.艺术作品概念的开放性与同一性--对后现代艺术作品解答的一种尝试[J].思想战线,2004,30(1):77-81.
作者姓名:彭修银
作者单位:南开大学,文学院,天津,300071
摘    要:20世纪西方艺术哲学对"什么是艺术作品"提出了种种无核心、无确定意义的"洋葱式"解答,而这表明西方艺术理论在不断精密化的同时也在不断地陷入枝节的缠绕,迷失中心和整体的感觉,最终丧失真正的解说能力。将艺术作品作为一个开放概念,从艺术作品中人的印证———技巧与意向,以及作品的同一性———变异与永恒等方面切入,可对后现代艺术作品进行一尝试性解答。

关 键 词:艺术作品  开放性  同一性  后现代
文章编号:1001-778X(2004)01-0077-05
修稿时间:2003年10月11

The Conceptual Openness and Identity of Artworks --A Tentative Interpretation of Postmodern Artworks
PENG Xiu-yin.The Conceptual Openness and Identity of Artworks --A Tentative Interpretation of Postmodern Artworks[J].The Ideological Front(Yunnan University's Journal of Social Sciences),2004,30(1):77-81.
Authors:PENG Xiu-yin
Abstract:The answers to "What is artwork" by the Western art philosophy of the 20th century, like the structure of onion, are coreless and uncertain. This implies that Western philosophic theories, though becoming more and more intensive, have been entangled by trivial issues and thus have lost the core and integrity and the proper function of interpretation. A tentative interpretation of the postmodern artworks is to be made under the condition that artworks are treated as an open concept and studied from the perspective of humanity testing,skill and intention , the identity of the works, variation and alienation.
Keywords:artworks  openness  identity  postmodernity
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