Abstract: | Legal context: The copyright laws in India are set to be amended with the introductionof the provisions for anti-circumvention and Rights ManagementInformation in the Indian copyright regime although India isunder no obligation to introduce these changes as it is nota signatory to WCT or WPPT. Key points: The main purpose of these provisions and measures is to preventillegal commercial copying, a menace which hits the Indian movieand music industry significantly enough to ensure that the industryforms a strong lobby in such proposals. India has amended itscopyright legislation over the years to accommodate technologicalchanges and prevent piracy; however, the problem has only escalatedover the years. Technological measures impose restrictions onthe access to content and impose other restrictions on the useof the same. Practical significance: Who are the actual stakeholders behind advocating these changes?Is it Bollywood or the same Hollywood studios which lobbiedfor the same changes in international legislation? What maybe the cultural implications of adopting such changes in Indiancopyright laws? The paper would attempt to assess the culturaleffect of the combined legal and technical measures being proposedunder the copyright laws in India. |