| 性别视角的转换和女性主体性的“滑落”——女性文学从小说到影视的文化反思 |
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| 引用本文： | 胡慧翼.性别视角的转换和女性主体性的“滑落”——女性文学从小说到影视的文化反思[J].金陵法律评论,2004,32(1):118-121. |
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| 作者姓名： | 胡慧翼 |
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| 作者单位： | 北京大学中文系，北京100871 |
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| 摘 要： | 女性作家的小说改编成影视作品已经成为一个重要的文化现象.从小说到影视作品,前者通常有一个女性立场,表现出一种鲜明的女性意识.而后者则代之以或"隐"或"显"的男性视角,女性立场往往被消解了,具有时代进步色彩的女性意识被抹煞了.这一现象的出现有其必然性.以男权文化为底蕴的大众审美心理和接受视野的存在,是造成这一文化现象的根本原因.21世纪的中国影视创作,理应反映出时代的审美理想和女性意识的新的高度.
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| 关 键 词： | 性别视角 主体性 女性意识 女性立场 |
| 文章编号： | 1001-4608(2004)01-0118-04 |
| 修稿时间： | 2003年4月28日 |
The Switch of Gender Perspective and Decline of Female Subjectivity--Cultural Reflections on Female Cinema |
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| HU Hui-yi.The Switch of Gender Perspective and Decline of Female Subjectivity--Cultural Reflections on Female Cinema[J].Journal of Nanjing Normal University (Social Science Edition),2004,32(1):118-121. |
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| Authors: | HU Hui-yi |
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| Abstract: | The transcribing of female novels to video-productions has become an important cultural phenomenon. From novel to video-production, the former usually has a female standpoint and obvious female consciousness. But the latter replaces it with a male perspective. The aim of this paper is to explore this cultural phenomenon through analyzing several influential works. The phenomenon is inevitable. The public aesthetic mentality with male-power culture as its core is the essential reason. Chinese video creation in the 21st century should reflect modern aesthetic ideal and new level of female consciousness. |
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| Keywords: | gender perspective subjectivity female consciousness female standpoint |
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