| Abstract: | If society is the people, and culture is behavior, this confers upon revolutions a genuinely cultural nature. The immediate link among the topics dealt with in this article is the creation and development of Cuban cultural policy, the very policy through which the nation's artistic creativity—with all its beauties and blunders—is articulated. Yet it is impossible to outline the scope and complexity of this process in a single article and to do so would be nonsensical. This means a radical change in perspective: instead of using macro-history and generalizations, relying on observing events on a much smaller scale in an attempt to shed light on the whole through its parts. As a result, this article focuses on a specific cultural institution—The Ludwig Foundation of Cuba—with a brief mention of its fundamental aims and an overview of one of its emblematic exhibitions, which was the result of long-term research. |
