On Luisa Passerini: subjectivity,Europe, affective historiography

Weaving together the key themes of subjectivity, Europe, and affects, this article argues that the work of Luisa Passerini constitutes a paradigmatic shift in understandings of contemporary European history, culture, and politics. During the 1990s, Passerini's focus shifted from the history of fascism and memory to the study of ideas and experiences of Europeanness. She reclaimed Europeanism as a research topic for cultural history in order to articulate a critique of Eurocentrism. The coherence of her overarching thematic scope was safeguarded by a constant emphasis on subjectivity. Understanding the correlation between the theoretical privileging of the notion of intersubjectivity and the nurturing of collaborative, transgenerational, and transnational academic practices is thus very important for contextualizing Passerini's historiographical contribution. During the last three decades, Passerini has developed a historiographical framework that crosses many disciplinary boundaries and incorporates practices of teaching, learning, and researching into an integrated mode of producing historical knowledge.