Borrowed Surfaces

Shuichi Kato, who died in 2008, was one of Japan's leading social critics and author of the definitive three-volume study, A History of Japanese Literature , and Form, Style and Tradition .
In July, 1987, we met twice to discuss what he regarded as "Japan's empty core," first overlooking the Zen garden at the American Club in Tokyo, then at the Hotel Danieli in Venice where he was working on a documentary about the rise of the West.
I've retitled this interview "borrowed surfaces," a phrase used by Japanese novelist Haruki Murakami, to describe how Japan has adopted the forms of the West, but not the essence, as Kato so well describes in his comments.