| 影像中的女性身份再塑造及女性电影大众化--论近期几部女性电影的两个转向 |
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| 引用本文： | 马聪敏. 影像中的女性身份再塑造及女性电影大众化--论近期几部女性电影的两个转向[J]. 妇女研究论丛, 2006, 0(2): 51-55 |
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| 作者姓名： | 马聪敏 |
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| 作者单位： | 北京师范大学,文学院,北京,100875 |
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| 摘 要： | 本文以20世纪90年代后期以及21世纪初的几部女性电影作品为研究文本,试图论述这几部女性电影的两个转向:其一是近期女性电影从性是生成的到性是流动的观念的转变及由此带来的新的身份定位倾向。其二是论述近期女性电影以小众姿态获取大众性所表现出的从先锋到媚俗的转向,从而说明这几部女性电影的相关特点。
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| 关 键 词： | 女性电影 身份 先锋 媚俗 |
| 文章编号： | 1004-2563(2006)02-0051-05 |
Reinvented Role of Women in Films and Popularization of Women Films: Two Shifts in the Recent Women''''s Film Productions |
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| MA Cong-min. Reinvented Role of Women in Films and Popularization of Women Films: Two Shifts in the Recent Women''''s Film Productions[J]. Collection of Women's Studies, 2006, 0(2): 51-55 |
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| Authors: | MA Cong-min |
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| Abstract: | This paper examines the shifts of directions in the number of women's films between the 1990s and the early years of the 21st century.One shift occurs in the emergence of new identity alongside the change of views from sexuality as natural-born to that in fluidity.The other shift takes place when women's films move from being vanguards to pandering to public opinions as they become more popular and beyond a small and specialized audience.Through the analysis of these shifts,the paper discusses the films' common characteristics. |
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| Keywords: | women's films identity frontrunner pander to public opinion |
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