经学之人同文艺主体的公共区间

经学同文艺理论关系在主体层面表现出来,是经学人论所树立之人同以审美为本位的文论所说的文艺主体共享着一个公共区间。经学人论所树立之人本质属于经学主体,审美的文艺活动中的文艺作者和接受者本质属于文艺主体,但二者虽各有本质,彼此却历史地相互交集。在这一彼此交集的公共区间里,经学之人和文艺主体作为存在者都具有"人——文艺主体"这一二重结构,这个二重结构当其属于经学或属于文艺时,结构的内涵和结构的两大要素之轻重均有所不同。经学和文艺正是在这一区间内发生种种复杂而微妙的关系,中国古代的文艺主体论的存在与发展因此总是历史地承受着经学或隐或显的影响。

On Public Sphere of Subject of Classics and Artistic Subject

The relationship between classics and literary theory is presented in the subject in that the person who Confucian scholars set up have a common public sphere with the artistic subject from literary theory based on the aesthetic. The subject of Confucian scholars belongs to essential subject of classics, while the artistic writer and receptive subject in the aesthetic activity naturally belong to artistic subject. Both are different in nature, but they are united with each other. In their common public sphere, the subject of classics and artistic subject as Dasein have a double structure of “person-artistic subject” When this structure is in classics literature and arts, it appears with different content of structure and two factors of structure to some degree. Classics, literature and arts in this aspect have many complicated and nuanced connections, and thus the existence and development of Chinese traditional theory of literary and artistic subject always historically have some explicit or implicit effects from classics.