| 转型：从写实传统到现代主义——论1960至70年代台湾话剧的发展 |
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| 引用本文： | 胡星亮. 转型：从写实传统到现代主义——论1960至70年代台湾话剧的发展[J]. 台湾研究集刊, 2005, 0(2): 83-91 |
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| 作者姓名： | 胡星亮 |
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| 作者单位： | 南京大学,中文系,江苏,南京,210093 |
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| 基金项目： | 《当代中外比较戏剧史》,国家“十五”社科基金项目(02BZW045)。 |
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| 摘 要： | 台湾话剧从写实传统向现代主义转型是在1960年代后半期及70年代.姚一苇等戏剧家为了真实深刻地描写现实和表现人,为了给已呈衰颓迹象的台湾话剧注入活力,借鉴西方现代派戏剧并融合民族戏曲传统去求新求变,推动了中国话剧艺术的发展.
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| 关 键 词： | 台湾话剧 写实传统 现代主义 借鉴/创新 |
| 文章编号： | 1002-1590(2005)02-0083-09 |
Transformation: From the Traditional Realism to Modernism-On the development of Taiwanese spoken drama in 1960-70s |
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| HU Xing-liang. Transformation: From the Traditional Realism to Modernism-On the development of Taiwanese spoken drama in 1960-70s[J]. Taiwan Research Quarterly, 2005, 0(2): 83-91 |
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| Authors: | HU Xing-liang |
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| Affiliation: | HU Xing-liang |
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| Abstract: | Spoken drama in Taiwan took its turn from traditional realism to modernism in late 1960s and in 1970s. In order to vividly reveal life and people in the real world, and to inject more vitality to the declining spoken drama in Taiwan, the dramatists represented by Yao Yiwei, innovatively incorporated some elements in western modernism drama into the traditional operas of China, which eventually promoted the development of Chinese spoken drama. |
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| Keywords: | spoken drama in Taiwan traditional realism modernism use for |
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