| 侗族大歌的符号学解读 |
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| 引用本文： | 梁梅. 侗族大歌的符号学解读[J]. 贵州民族研究, 2007, 27(5): 56-60 |
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| 作者姓名： | 梁梅 |
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| 作者单位： | 贵州师范大学,贵州·贵阳,550001 |
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| 摘 要： | 根据符号学理论,音乐是一种特定社会以及文化的符号,音乐符号形式成为人类认知和参与社会活动的意向。侗族大歌作为音乐形式是一种原声态符号,在侗族的社会生活中有其独特的文化价值和社会功能。它不仅是音乐、语言和生态环境符号的结合体,也是侗族文化、历史、生态、社会规约、道德准则等的载体,是侗族社会不可缺少的具有社会凝聚力的民族符号。
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| 关 键 词： | 侗族大歌 音乐符号 文化内涵 |
| 文章编号： | 1002-6959(2007)05-0056-05 |
| 修稿时间： | 2007-07-03 |
Semiotic Interpretation of the Dong Songs(Dage) |
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| LIANG Mei. Semiotic Interpretation of the Dong Songs(Dage)[J]. Guizhou Ethnic Studies, 2007, 27(5): 56-60 |
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| Authors: | LIANG Mei |
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| Abstract: | According to semiology,music is a set of semiotic signs of the culture in the certain society.Music semiotics reflect human cognition and social significance of human activities.Dage,the songs of the Dong people,as a music style and a set of signs of natural sounds,is of great cultural value for its social function.It is not only integrated semiotic of the Dong music,social conventions and norm of the ethics as well,symbolizing solidarity and harmony of the Dong society. |
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| Keywords: | the Dong songs(Dage) Music semiotic Cultural implication |
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