后女权主义哥特式之辨

后女权主义和哥特式原本是两个颇具争议的概念,但随着当代后女权主义的出现和哥特式的复兴,这两个概念结合成一个新的概念“后女权主义哥特式”.本文追溯了“后女权主义哥特式”的根源,考察和辨析了前缀（后-）与女权主义一词、女权主义与后女权主义、后女权主义与哥特式之间的关系和含义,进而指出,正是由于回避二元性逻辑和渴求“释意”,后女权主义和哥特式两者被结合在一起.“后女权主义哥特式”超越了女性哥特式,同过去第二波女权主义和女性遭受压制有着内在联系.它为批评划定了一个新的空间,重新探讨了性别、代理和压抑等概念.通过对“后女权主义哥特式”的辨析,实际上追溯和梳理了从哥特式、女权主义、女性哥特式、后女权主义到后女权主义哥特式的发展轨迹.

A Discriminative Analysis on Post-feminist Gothic

Postfeminism and gothic were originally two much debated and controversial concepts, but with the appearance of postfeminism and the revival of the gothic, these two concepts have been combined into a new concept ＂ Postfeminist Goth- ic＂. This paper reviews the source of the ＂Posffeminist Gothic＂, examines and differentiates the relationship and meaning of the prefix ＂post＂ and feminism, feminism and postfeminism, postfeminism and gothic. Then it points out that postfeminism and Gothic are linked by their eschewal of a binary logic and their anxiety about meaning. ＂Postfeminist Gothic＂ moves beyond the Female Gothic with its historical associations with second wave feminism and female/feminine victimisation and it circumscribes a new space for critical exchange that re-examines notions of gender, agency and oppression. Through a discriminative analysis of ＂Postfeminist Gothic＂, in fact, this paper traces back and clarifies the development from gothic, feminism, female gothic, postfeminism to postfeminist gothic.