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晚明苏州剧坛传奇创作重心的下移及原因
引用本文:刘召明. 晚明苏州剧坛传奇创作重心的下移及原因[J]. 金陵法律评论, 2007, 0(3): 129-134
作者姓名:刘召明
作者单位:南京大学,中文系,江苏,南京,210093
摘    要:晚明苏州剧坛的传奇创作,在题材选择、人物塑造、主题取向等方面,呈现出了明显的创作重心下移的趋向.这一趋向深刻地体现了明清传奇史的发展走向,反映了传奇艺术自身发展的必然规律,是苏州作家队伍下层化、职业戏班大量涌现等多种因素综合作用的必然结果.

关 键 词:晚明  苏州剧坛  传奇创作
文章编号:1001-4608(2007)03-0129-06
修稿时间:2006-10-14

The Conversion of Chuanqi Content of Suzhou Theatrical Circles in Late Ming Dynasty and Its Causes
LIU Zhao-ming. The Conversion of Chuanqi Content of Suzhou Theatrical Circles in Late Ming Dynasty and Its Causes[J]. Journal of Nanjing Normal University (Social Science Edition), 2007, 0(3): 129-134
Authors:LIU Zhao-ming
Affiliation:School of Humanities, Nanjing University, Nanjing 210093, China
Abstract:This paper examines the course of great changes in Chuanqi in Suzhou theatrical circles in Late Ming Dynasty,for example,the scope subject matters was extended,the heroine became more and more common and the theme moved closer to life.These changes made a profound impact on the historical development of Chuanqi in Ming and Qing Dynasties.The common writers and professional actors are mainly responsible for these changes.
Keywords:Late Ming Dynasty  Suzhou theatrical circles  Chuanqi
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