| 浅谈中国画之"气韵"与"骨法" |
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| 引用本文： | 陈清.浅谈中国画之"气韵"与"骨法"[J].山西青年管理干部学院学报,2002,15(1):54-55. |
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| 作者姓名： | 陈清 |
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| 作者单位： | 山西青年管理干部学院,应用艺术系,山西,太原,030001 |
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| 摘 要： | 中国画几千年的发展史 ,其实也是中国画论美学的发展史 ,前人之述备矣。南宋谢赫的《古画的品录》堪称经典著作。他提出的“六法” ,对中国画的发展与创作产生了深远的影响 ,其中“气韵”与“骨法”四字 ,见解精辟 ,高度概括了中国画的深邃博大和所要追求的崇高境界。
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| 关 键 词： | 中国画 画论 “气韵” “骨法” |
| 文章编号： | 1008-8997(2002)01-0054-02 |
| 修稿时间： | 2001年12月6日 |
A Brief Commentary on the Spirit and Structure of Traditional Chinese Painting |
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| CHEN Qing.A Brief Commentary on the Spirit and Structure of Traditional Chinese Painting[J].Journal of Shanxi College For Youth Administrators,2002,15(1):54-55. |
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| Authors: | CHEN Qing |
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| Abstract: | Traditional Chinese Painting has a Long history of thousands of years.Also the history is that of aesthetics on the painting.Ancient artists have made lots of commentary in this term."The Commentary on Ancient Paintings",by Xie He,Nan-Song Dynasty,is really a classical work.His "six-method-theory"has a far and deep influence on the development and creation of traditional Chinese painting.Among the theory,"spirit"and"structure"especially indicate the deep meaning and high realm. |
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| Keywords: | traditional Chinese painting commentary on painting spirit structure |
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