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论废名诗歌观念的"传统"与"现代"
引用本文:张洁宇. 论废名诗歌观念的"传统"与"现代"[J]. 金陵法律评论, 2008, 3(1): 148-154
作者姓名:张洁宇
作者单位:中国人民大学文学院,100872
摘    要:废名的诗歌观念既"传统"又"现代",代表了1930年代中国新诗艺术尝试的一个方向.与模仿西方诗学的思路不同,废名是将寻求新诗"现代"发展的目光,投向了中国古典诗歌传统,认同晚唐诗所表现出的"诗的内容"和"诗的感觉",从而在观念上超越了胡适等人偏重于从语言形式上划分诗之新旧的思路.同时,废名在创作中实践了晚唐诗深幽婉曲的艺术风格,并将之与其个人独特的禅宗意趣结合起来.废名的诗歌观念承袭了周作人的"文艺复兴"的文学观念,是以"现代"眼光重释和取舍"传统",打破了"传统"与"现代"非此即彼的割裂关系,表现出鲜活的创造力.

关 键 词:废名  传统  现代  晚唐诗  禅宗思想
文章编号:1001-4608(2008)01-0148-07
修稿时间:2007-06-22

Either Traditional or Modern: Feiming's Poetic Idea
ZHANG Jie-yu. Either Traditional or Modern: Feiming's Poetic Idea[J]. Journal of Nanjing Normal University (Social Science Edition), 2008, 3(1): 148-154
Authors:ZHANG Jie-yu
Affiliation:ZHANG Jie-yu
Abstract:Feiming's poetic idea,which was both "traditional" and "modern",represented a new way of poetic searching in 1930's.He inherited the value of Chinese classic poets instead of imitating western poets.Having studied the style of poetry in the late Tang Dynasty,Feiming emphasizsed the "content" and "feeling" instead of lingual factors in the poems.In his writing,he built a special style including symbol and Zen.Feiming was influenced by Zhou Zuoren and re-interpreted tradition in a modern way.
Keywords:Feiming  tradition  modern  poetry in the late Tang dynasty  Zen
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