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从他者想象到自我镜像——谈《镜花缘》对殊方异域传说的继承与发展
引用本文:王青.从他者想象到自我镜像——谈《镜花缘》对殊方异域传说的继承与发展[J].金陵法律评论,2009(3):137-143.
作者姓名:王青
作者单位:南京师范大学文学院,210097  
摘    要:海州板浦的濒海环境,对李汝珍利用海外游历来结构全书的创作构想有着重要的影响.但他对海外诸国的描写并无亲身体验,主要是利用传统的殊方异域传说.早期的殊方异域传说反映的是中土民众对境外他族的集体想象,潜隐着凝聚本族的文化功能.而在李汝珍的创作中,海外异民的行为举止乃是中土社会风气的集中、提炼与反仿,从而将殊方异域传说从一种"他者想象"发展为"自我镜像",并借此来进行社会批判,表达政治理想,由此大大丰富了此类传说的文化功能.

关 键 词:《镜花缘》  李汝珍  殊方异域传说

From the Imagination of Others to Self Mirror Image:The Inheritance and Development of the Overseas Legends in Flowers in the Mirror
WANG Qing.From the Imagination of Others to Self Mirror Image:The Inheritance and Development of the Overseas Legends in Flowers in the Mirror[J].Journal of Nanjing Normal University (Social Science Edition),2009(3):137-143.
Authors:WANG Qing
Abstract:The coastal environment of Banpu in Haizhou has an important impact on Li Ruzhen's creation of Flowers in the Mirror which is structured according to the major characters' overseas travels.Actually the author mainly used the traditional overseas legends to write his book for he never experienced what he described about the overseas countries in person.The early legends about the alien lands reflect the ancient Chinese collective imagination of the overseas peoples and implicate the cultural function of enha...
Keywords:Flowers in the Mirror  Li Ruzhen  overseas legends  
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